The american jazz ensemble featuring bill smith and johnny eaton the american jazz ensemble in rome - A lesson in American Jazz

Since at least the emergence of bebop , forms of jazz that are commercially oriented or influenced by popular music have been criticized by purists. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". [14] Traditional jazz enthusiasts have dismissed bebop, free jazz, the 1970s jazz fusion era and much else as periods of debasement of the music and betrayals of the tradition. An alternative viewpoint is that jazz is able to absorb and transform influences from diverse musical styles, [20] and that, by avoiding the creation of 'norms', other newer, avant-garde forms of jazz will be free to emerge. [14]

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Jazz's literary influence comes after World War II. Jazz became much more prominent in black letters after World War II, when the music became much more self-consciously an “art” music designed for listening rather than for dancing. Many consider Ralph Ellison’s monumental novel, Invisible Man (1952), winner of the National Book Award, to be one of the most successful “jazz” novels ever written, although the book is not about a musician and music does not figure in it a great deal. Ellison himself studied both composition and trumpet as a student in his hometown of Oklahoma City and at Tuskegee Institute, where, in fact, he majored in music. So, unlike most black writers, Ellison actually knew music technically. He also felt that music was central to understanding race in America: “The music, the dances that Americans do are greatly determined by Negro American style, by a Negro American sense of elegance, by an American Negro sense of what the American experience should be, by what Negroes feel about how an American should move, should express himself.” 1 But he also understood music, black music particularly, as something equally metaphorical, historical, and cultural. This is evident in his essays on jazz such as “Living with Music,” “The Charlie Christian Story,” and “On Bird, Bird-Watching and Jazz” that were collected for his 1964 volume of essays, Shadow and Act .

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…Chicago in the mid-1920s, his jazz had become a full-fledged art music, “full of a melancholy and majesty that were new to American music,” as Whitney Balliett ...

Today, jazz is universal. It is performed and listened to by people of virtually every ethnicity, religion, and attitude -- a reflection of the world becoming “smaller” (via technology and mass communication) and, perhaps, of the planet’s best-intentioned striving to bring its peoples together. 

Jazz developed in the United States in the very early part of the 20th century. New Orleans, near the mouth of the Mississippi River, played a key role in this development. The city's population was more diverse than anywhere else in the South, and people of African, French, Caribbean, Italian, German, Mexican, and American Indian, as well as English, descent interacted with one another. African-American musical traditions mixed with others and gradually jazz emerged from a blend of ragtime, marches, blues, and other kinds of music. At first jazz was mostly for dancing. (In later years, people would sit and listen to it.) After the first recordings of jazz were made in 1917, the music spread widely and developed rapidly. The evolution of jazz was led by a series of brilliant musicians such as Louis Armstrong, Duke Ellington (listen to Ellington in Duke's Music Class ), Charlie Parker, and Miles Davis. Jazz developed a series of different styles including traditional jazz, swing (listen, for example, to Benny Carter, who got his start in swing music, in Benny's Music Class ) bebop, cool jazz, and jazz?rock, among others. At the same time, jazz spread from the United States to many parts of the world, and today jazz musicians--and jazz festivals--can be found in dozens of nations. Jazz is one of the United States's greatest exports to the world.

The American Jazz Ensemble Featuring Bill Smith And Johnny Eaton The American Jazz Ensemble In RomeThe American Jazz Ensemble Featuring Bill Smith And Johnny Eaton The American Jazz Ensemble In RomeThe American Jazz Ensemble Featuring Bill Smith And Johnny Eaton The American Jazz Ensemble In RomeThe American Jazz Ensemble Featuring Bill Smith And Johnny Eaton The American Jazz Ensemble In Rome